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simonfox
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Apokalypsis (2011) by Chelsea Wolfe
Thanks to Spotify...
And a big thanks it is because this album sounds like Feist if she was possessed by the devil. Basically, the simple cover speaks volumes about the music on this album, which is something I really like about it. If you look at the cover, you probably already know what to expect: delicate horror music. You see a young woman who looks like an indie starlet, but her eyes are whited out and the lighting is slightly creepy. That is exactly what the album sounds like. As I said, Feist possessed by the devil... you could just as easily say this sounds like the lost Liz Phair album between whitechocolatespaceegg and the self-titled... apparently those five years were spent in Purgatory.
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mike10k
nice one, doc!
EARLIER
2012 - beach boys - that's why god made the radio
NOW
1976 - captain beefheart & magic band - bat chain puller (2012)
they made a shit ton of eps. yours is one of them. then they made perch patchwork in 2010, their first lp. they just released a new lp this year too caled Beware and Be Grateful. i own that too and its pretty good. but right now, im more into perch patchworkQuote
betamax
talk to me about this, please.Quote
JesusChristILoveYouYesIDo
maps and atlases - perch patchwork
i only know one other person who knows this band, and i only own 'Trees, Swallows, Houses'. Is that a new one?
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mike10k
1980 - led zeppelin - coda (original cd release)
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Doc Sanchez
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mike10k
1980 - led zeppelin - coda (original cd release)
I have this one on vinyl since I was 13, but I never really listened to it, for I really hated Presence and In Through The Out Door. Never tried since, and I still don't like Presence, but tonight i'm gonna give Coda another try. Yes, I will.
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An odds-and-sods collection assembled after John Bonham's death, Coda is predictably a hit-or-miss affair. The best material comes from later in Led Zeppelin's career, including the ringing folk stomp of "Poor Tom," the jacked-up '50s rock & roll of "Ozone Baby," and their response to punk rock, the savage "Wearing and Tearing." The rest of the album -- sadly including the Bonham showcase "Bonzo's Montreux" -- is average, despite the presence of some stellar playing, especially on the early blues-rock blitzkrieg "I Can't Quit You Baby" and "We're Gonna Groove."